Peter O'Toole, left, Omar Sharif, 'Lawrence of Arabia' (1962)

For, Friday, Aug. 23, 2019

EDITOR’S NOTE: Thirty years ago, when a new restored version of ‘Lawrence of Arabia’ began crossing the country, I began to receive phone calls and letters (no email back then) from all over the valley asking when the film would arrive in a Salt Lake City theater. So I wrote a couple of short stories about it in anticipation. When the film finally arrived locally I followed up with a lengthy cover story about the restoration (which will run in this space next week) and a review (which is to the right on this page). But in 1989 things were different; nothing was digital, most theaters were single-screen affairs and a major film might play for weeks, even months, at one venue. And stereo and larger-than-normal screens were at a premium. So bringing in a old classic for exclusive, top-of-the-line screenings was not at all the norm. Under the headline, ‘When’s “Lawrence” coming? Grab a pencil and some paper,’ this ‘Hicks on Flicks’ column was published in the Deseret News on Feb. 26, 1989.

What’s the No. 1 question moviegoers are asking these days?

Hands down, it’s “When is ‘Lawrence of Arabia’ coming?”

And at last, an answer – Wednesday, March 15.

Where? Exclusively at the Cineplex Regency Theater.

In 70mm? Absolutely.

And Dolby Stereo? Of course.

Those who are not aware of what’s been happening with “Lawrence” may wonder why all the interest in a 27-year-old movie.

David Lean won an Academy Award for directing the ultimate desert picture — the film won seven Oscars altogether — and Peter O’Toole became an instant star.

Critics agree that of Lean’s later “epic” pictures, this is indeed the best.

But the current fuss is over a restoration project that has put “Lawrence” back together after years of cutting and pasting for various re-releases, TV showings and video dubs, which left it at a mere 187 minutes in length.


David Lean gathers the troops for an epic scene on the set of 'Lawrence of Arabia' (1962)

Now it has been returned to its full 222-minute length (plus intermission, of course), and the film has been subtly, slightly reshaped and enhanced.

Lean and his Oscar-winning editor Anne Coates participated in the restoration, and the surviving actors (O’Toole, Omar Sharif, Anthony Quinn, Alec Guinness, etc.) redubbed some of their dialogue.

The result is considered by those who have seen it probably the best example of state-of-the-art film restoration ever.

And there is only one way to see this movie, on the big screen in 70mm, where its scope and expansive vision can be appreciated the way it was meant to be seen.

When you hear the phrase, “They don’t make pictures like this anymore,” this is the movie they’re talking about.

EDITOR’S SECOND NOTE: And on Sept. 27, 2012, the Deseret News published another short piece of mine about the film as it was gearing up for a video release, following yet another restoration (digital, this time), to be preceded by a one-day theatrical reissue. Despite the worry I express here that it might not return to theaters, ‘Lawrence’ has proved to be a regular on the big-screen revival circuit. Thank goodness. (See the review to the right.)

David Lean’s magnificent epic “Lawrence of Arabia,” about real-life adventurer T.E. Lawrence (superbly played by Peter O’Toole), is a film that needs to be seen on a theater screen to be fully appreciated.


To say they don’t make ’em like this anymore is to wildly understate, whether referring to the film’s breadth and depth, the vast number of extras in any given sequence or it’s deliberate pacing, which takes its time but is never dull. This is high entertainment with thrills, excitement, comedy, memorable set pieces and thought-provoking drama. It’s also as artistically framed as cinema gets.

Despite its ambitious scope, however, Lean never lets the grandeur overwhelm the story or characters, and he’s not afraid to allow his camera to rest on broadly choreographed images that fill the wide screen, forcing audience members to discover for themselves what is most meaningful at any given moment.

Before its Blu-ray debut in November, “Lawrence of Arabia” will play theatrically for one day, and who knows when or if another opportunity to see it on the big screen will present itself very soon.

Originally released in 1962, the film fell into disrepair over the next two-plus decades, until, after a meticulous restoration process, it was reissued in theaters in 1989. Now, here it is 2012, and yet another restoration has taken place so that it reportedly looks even better, sharper and more vivid than in 1962.

The digital version will play one day, Thursday, Oct. 4, with two screenings, at 2 and 7 p.m., in several local Cinemark theaters. This is a nearly four-hour movie, so plan accordingly.

New Movies This Week New Movies This Week



For, Friday, Sept. 13, 2019

A variety of genres hit local movie theaters this weekend, including a locally-made historical film, a musical documentary, a true whistleblower thriller, a comedy, a heist yarn and a couple of unusual teen dramas.

“Out of Liberty” (PG). The latest Church of Jesus Christ of Latter-Day Saints-themed movie to come to town is this dramatization of events surrounding the incarceration of Joseph Smith in a newly built jail in Liberty, Missouri, in the winter of 1839. The film is told from the point of view of Samuel Tillery, the jailer tasked with guarding Smith and other Latter-day Saint Church leaders as mobs harass them each night. Tillery is played by Jasen Wade (“17 Miracles,” “The Cokeville Miracle”), with Corbin Allred (“The Saratov Approach,” “Saints and Soldiers”) as Porter Rockwell.

“Linda Ronstadt: The Sound of My Voice” (Not Rated). Documentary about the popular singer with the remarkable vocal range who became a rock star in the 1960s, filled arenas in the ’70s and then branched out to various other forms of music, including country, comic operetta, American standards and Mexican ballads sung in Spanish. Ronstadt was forced to retire in 2013 when she was stricken with Parkinson’s Disease. With Jackson Browne, Ry Cooder, Sheryl Crow, Emmylou Harris, Dolly Parton, Bonnie Raitt and many more.


“Official Secrets” (R). True story of a British government employee (Keira Knightley) who leaked a secret memo exposing an illegal spying operation by the United States in a plot to blackmail United Nations diplomats voting on a resolution regarding the 2003 invasion of Iraq. Matt Smith, Matthew Goode and Ralph Fiennes.

“Brittany Runs a Marathon” (R). Twenty-seven-year-old New Yorker Brittany (Jillian Bell) is a hard-partying good-time girl but she’s also overweight and unhappy. So when her doctor tells her she needs to get healthy she decides to train for the New York City Marathon, which, as this comedy demonstrates, it’s not as easy as it looks. A hit at the Sundance Film Festival.


“Hustlers” (R). Jennifer Lopez headlines this heist comedy/drama about a crew of savvy strip-club employees who come together to take down their obnoxious Wall Street clients. With Constance Wu, Cardi B, Julia Stiles and Mercedes Ruehl.

“The Goldfinch” (R). A young teenager witnesses his mother’s death in the bombing of the Metropolitan Museum of Art and steals the titular painting. He grows up troubled and eventually becomes an art forger in this drama adapted from the 2013 novel by Donna Tartt. With Ansel Elgort, Nicole Kidman, Sarah Paulson, Luke Wilson and Jeffrey Wright.

“Adam” (Not Rated). High schooler Adam gets permission from his parents to visit his sister in New York, who has, unbeknownst to them, come out as a lesbian. So, in order to fit in with her friends, Adam pretends to be a trans man and starts dating an older woman. Controversial comedy was another hit at the Sundance Film Festival. (Exclusively at the Tower Theater.)

New DVDS/Blu-rays New DVDS/Blu-rays



For, Friday, Sept. 13, 2019

EDITOR’S NOTE: Yes it was a top-10 hit in 2015, but let’s forget the live-action remake by Disney of its own 1950 animated classic, ‘Cinderella’ and talk instead about the original. Back in the day, Disney was on a cycle of releasing its animated classics into theaters every seven years or so, but with the advent of home video, the studio now reissues titles on 4K, Blu-ray, DVD or whatever the latest home-library technology may be. And that’s all the reason you need for the latest Blu-ray incarnation of ‘Cinderella’ from the folks at Disney. My review below was published in the Deseret News on Jan. 1, 1982, when the film was back in theaters for the umpteenth time. Haven’t shared it with your kids who are too busy watching ‘Spider-Man: Homecoming’ for the 45th time? Shame on you. Now’s the time.

You don’t have to be a kid to enjoy good, funny animation, and this work of Walt Disney is both nostalgic and offers unlimited imagination and creativity.

After 30 years, “Cinderella” still holds up as one of Disney’s finest animated achievements — largely due to the delightful animals that populate the title character’s world.

Jaq and Gus-Gus, the two lead mice; Lucifer, the evil fat cat; Duke, the old dog that eventually saves the day; and the various birds, horses and such that we meet in this feature are always busy, doing interesting — and often hilarious — bits of business.


The fairy tale of put-upon Cinderella and her wicked stepmother, along with her two equally wicked (actually spoiled brat) stepsisters and her eventual landing the handsome prince at the Royal Ball (thanks to her fairy godmother and that glass slipper) is by now too familiar to offer any surprises, and may even be a bit tame to the sophisticated youngsters brought up on “Sesame Street” and “Star Wars,” but the duller musical pauses and romantic aspects tend to travel by rather quickly.

Parents are likely to enjoy “Cinderella” every bit as much as their children, thanks to a heavy amount of humor and a number of truly delightful characters.


While it’s true there’s very little family fare in the form of new movies this Christmas season, it’s nice to know that Disney is still thinking of material for parents and children to see together — even if it’s recycled material.

And, as it should be, “Cinderella” is rated G.

Welcome Welcome

Hi. I'm Chris Hicks.

But if you're looking for Chris Hicks the Australian rugby player or the American recording-industry executive or the Major League Baseball player or the author of "Think" or the singer-songwriter or the former basketball player, you're in the wrong place.

I'm Chris Hicks the movie guy from Salt Lake City. If that's who you're looking for, welcome to my website as I enter the 21st century … a little late (May 2013).

This site is all about movies, well mostly, and it's also about me, I guess, but I'll try to keep my ego in check.

My goal, my hope, is that you will be able to browse the pages here and be alerted to or reminded of some great movie you've never heard of or forgotten about. In other words, something that might enhance your movie-watching experience, whether it's by Alfred Hitchcock or Joss Whedon, or stars Audrey Hepburn or Jennifer Lawrence or someone you never heard of. And I've also tried to make it fun.

The bulk of stories and reviews here are gleaned (with permission) from my 40 years of writing about film for the Deseret News, a daily newspaper in Salt Lake City, with side trips here and there to other entertainment forms.

I'm no longer writing for the D-News so this is mostly archival stuff, primarily from the Deseret News but also from my 13 years with KSL Television and Radio, as well as other sundry freelance things I occasionaly come across in my deteriorating hard-copy files.

Hope you enjoy my little site. If you do, tell your friends. If you don't, just say you couldn't find it.

Chris H.

Shameless Hucksterism Shameless Hucksterism


Click here for Deseret News interview.

Click here for Deseret News review.

Click here for Amazon store.

Golden Oldies On the Big Screen Golden Oldies On the Big Screen



For, Friday, Sept. 13, 2019

EDITOR’S NOTE: A high point in Emma Thompson’s career came in 1996 when, three years after winning the best-actress Oscar for ‘Howards End,’ she earned the best-screenwriting Academy Award for ‘Sense and Sensibility,’ and her film remains arguably the best of the spate of Jane Austen films that were popping up around that time. If you’ve a hankering to see it on the big screen, Peery’s Egyptian Theater in Ogden is showing the film on Wednesday, Sept. 18, at 7 p.m. as part of its ‘Chick Flick’ series. Here’s my review, published in the Deseret News on Jan. 19, 1996.

Elinor loves Edward. And Edward seems to love Elinor. But Edward runs off to London and we discover that he's already engaged.

Middle-aged Col. Brandon loves young Marianne. But Marianne loves the dashing John Willoughby.

Willoughby seems to love Marianne in return, but then he also makes a hasty, unexplained retreat and heads for London.

So what's in London that causes these men to run off? Will our heroines link up with them again? And what of poor, honorable Col. Brandon?

Sound like an English version of "Days of Our Lives"?

Guess again. It's the latest — and finest — of the Jane Austen resurgence, "Sense and Sensibility," with a wonderful screenplay by Oscar-winning actress Emma Thompson, who also stars as Elinor. (And helmed with taste and style by Taiwanese director Ang Lee, of "Eat Drink Man Woman.")


Hugh Grant, Emma Thompson, 'Sense and Sensibility'

Full of little mysteries, unabashed romanticism and delightful comedy, "Sense and Sensibility" is an utterly winning comic melodrama. And it unfolds casually, Merchant-Ivory style, with all the lush trappings of late 18th-century rural England.

As the story begins, Mrs. Dashwood (Gemma Jones) is widowed, and according to law her huge estate reverts back to the oldest son by a previous marriage. So, when snobbish John Dashwood (James Fleet) and his even more snobbish wife Fanny (Harriet Walter) move in, Mrs. Dashwood and her three daughters, Elinor, Marianne (Kate Winslet) and young Margaret (Emile Francois) are forced to move out.

But not before they meet Fanny's younger brother, Edward (Hugh Grant), a real charmer, despite his shy, self-effacing manner. He is attracted to Elinor, but their courtship is cut short when Fanny contrives to have him called to London.

The Dashwood women move to smaller quarters, taking charity from Mrs. Dashwood's cousin, the comically uncultured Sir John Middleton (Robert Hardy) and his matchmaking mother-in-law Mrs. Jennings (Elizabeth Spriggs).


Kate Winslet, Alan Rickman, 'Sense and Sensibility'

There, Marianne meets Col. Brandon (Alan Rickman), who is obviously attracted to her, though she won't give him the time of day. And then, in one of those romantic Austenesque moments, she meets Willoughby (Greg Wise), who quite literally rides in on a horse and sweeps her off her feet.

Col. Brandon mutes his jealousy and watches from afar, as Elinor and her mother observe Marianne's head-over-heels romance with some reservations. And, then, Willoughby takes off for London without explanation, leaving Marianne heartbroken.

Eventually, Elinor and Marianne will be afforded a trip to London, allowing them an opportunity to meet Edward and Willoughby again, and to learn the mysteries behind their abrupt departures.

Trying to explain this film in plot terms, however, can only make simplistic what is really a heartfelt story, filled with rich characters and compelling events, however low-key.

The performances are all excellent, with standouts including Thompson, Winslet, Jones, Spriggs and Walter.

"Sense and Sensibility" is rated PG, but there is nothing offensive (unless you are bothered by the cleavage of heaving bosoms in traditional 18th-century English garb).

Oldies New to DVD/Blu-ray Oldies New to DVD/Blu-ray



For, Friday, Sept. 13, 2019

EDITOR’S NOTE: Puzzlements of the universe include the existence of mosquitoes, haggis and the movie career of Pauly Shore. His movies were always awful but Shore hit some kind of nadir with this one some 24 years ago. Still, as yet another unfathomable entry in the no-accounting-for-taste department, Mill Creek Entertainment has elected to give the alleged comedy a Blu-ray upgrade as part of its ‘Retro VHS Look’ series. My review was published in the Deseret News on April 18, 1995.

"Jury Duty" is the latest outing from Pauly Shore, who abandons much of the deadhead delivery he parlayed into movie stardom with "Encino Man," "Son-in-Law" and "In the Army Now." Not that it matters, since what is left is even worse than those films.

Shore is a failed male stripper (at a club owned by his uncle, played by unbilled Andrew Dice Clay). And he's actually happier sitting at home watching "Jeopardy!" with his dog in his mother's mobile home. (His mother is played by Shelley Winters.)


         Tia Carrere, Stanley Tucci, 'Jury Duty'

When Shore receives a notice that he is to serve jury duty, he throws it away — until his mother announces she is off to get married. With no place to live, Shore retrieves the notice and finagles his way onto the jury of a lengthy, highly publicized murder trial — so he can live in a hotel and receive room service each night.

Eventually, when the rest of the jury wants to convict the alleged killer, Shore does everything he can to stall.


                      Pauly Shore, 'Jury Duty'

The trouble is, there isn't a laugh to be had in this mess, despite a competent supporting cast that includes Tia Carrere, Stanley Tucci, Brian Doyle-Murray and other familiar faces.

"Jury Duty" is rated PG-13 but should be rated R for considerable vulgarity, profanity, violence and partial nudity.