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For Hicksflicks.com, Friday, June 14, 2019

EDITOR’S NOTE: ‘First Blood,’ in which Sylvester Stallone introduced his one-man army Rambo character, was a surprise hit in 1982, ranking No. 13 for the year in box-office dollars. So a follow-up was inevitable, and three years later ‘Rambo: First Blood Part II’ was an even bigger hit — No. 2 for the year, behind ‘Back to the Future’ and ahead of ‘Rocky IV.’ Yes, Stallone was riding high. Now, each of the first three ‘Rambo’ movies has earned a new 4K release from Lionsgate Home Entertainment, so here’s my review of the second film in the franchise, ‘Rambo: First Blood, Part II,’ which was originally published in the Deseret News on May 29, 1985.

Sylvester Stallone, he of the droopy eyelids, the Schwarzenegger biceps and the crooked sneer/smile — depending on whether he’s playing Rocky or Rambo — is back as the latter in “Rambo: First Blood, Part II.”

Here’s a movie that knows its audience. You want action? You want violence? You want a fast pace? You want a bigger-than-life hero who overcomes all — and I mean all — odds? You want a plot that panders to our need to hate the government for what it did to us in Vietnam?

“Rambo” delivers.

And it undeniably delivers with style and excitement, which is more than you can say for Chuck Norris’ lethargic “Missing In Action,” which had a nearly identical plot (as did “Uncommon Valor” before “MIA”).

As a result, on a purely visceral level, “Rambo” is kind of fun. Whaddaya want, brains too?

The film begins with Rambo in prison after his “First Blood” escapades, during which he literally destroyed a small Colorado town, single-handedly of course, after being mistreated by local authorities.


      Sylvester Stallone, 'Rambo: First Blood, Part II'

He is visited by his old commanding officer (Richard Crenna) who tells him the government needs him for a secret mission — to go back to an old POW camp in Vietnam and photograph any survivors who might still be there.

Rambo looks the commander in the eye and says, “Sir, do we get to win this time?”

And we’re off, transplanting the jungles of Colorado (in the first film) for the jungles of Vietnam (subbed here by Mexico).

Of course, Rambo doesn’t just take pictures. He’s not going to photograph those guys — he’s going to rescue them. All by himself. And what a rescue. He single-handedly blows away literally hundreds of Vietnamese and Russian soldiers with everything from arrow bombs to heavy helicopter gunnery held in one hand.

In fact, the body count on this film has to be one of the highest in history — including World War II documentaries.

Stallone co-wrote the “Rambo” script — which probably means he re-wrote it to suit his own talents. And it has the Stallone stamp all over it. We see close-ups of his glistening, gleaming biceps in the hot jungle sun; we see close-ups of the sneer as he warns the double-crossing diplomat that he’s coming to get him; we see close-ups of his mud-laden body as he jumps out of nowhere to attack a bad guy. But we don’t hear much in the way of dialogue.


The biggest mistake the original “First Blood” made was to have Stallone babble on with an incomprehensible monologue at the end, something to do with how badly Vietnam veterans have been treated. The sequel has the same preachy ending, but here it is reduced to two or three grunts. Wise move.

And that pretty well points the difference between this film and the other MIA “rescue” films. “Rambo” is streamlined, sleek and to the point. Rambo don’t take no guff from nobody — and the film is structured in the same manner.

That doesn’t mean “Rambo” makes any more sense or is any less ridiculous than other films of this ilk. When Stallone mumbles, “I’ve always believed the mind is the best weapon,” the audience has to laugh.

And “Rambo” is no more sensitive to the real MIA issue, either. It’s just a better action film. And that’s enough for a moderate recommendation.

“Rambo” is rated R for violence — and there’s mayhem aplenty (more bodies than any film since “The Terminator,” and that’s saying something). There is also some sex, brief partial nudity and profanity.