Golden Oldies On the Big Screen Golden Oldies On the Big Screen




For, Friday, March 18, 2016

EDITOR’S NOTE: As noted above, the four-hour 1956 classic ‘The Ten Commandments’ will play at local Cinemark Theaters next week, courtesy of Fathom Events in conjunction with the cable Turner Classic Movies channel, celebrating the film’s 60th anniversary, and it will be shown at 2 and 7 p.m. on both Sunday, March 20, and Wednesday, March 23. This review was published in the Deseret News on April 14, 2011, under the headline ‘Thou shalt see “The Ten Commandments” on Blu-ray,’ obviously a review of the Blu-ray when it debuted.

Way back in 1982, during a Deseret News interview with Charlton Heston on a variety of subjects, he told me he didn’t much care for television as a medium for big-screen movies and offered this prediction:

“The technical quality of the picture is not good, nor is the sound. That’ll change. They’ll get it. They’ll also improve the color.”

In recent years, of course, Heston’s confidence in the industry has been validated as the quality of home-video systems has reached a zenith, never more vividly demonstrated than in the recent reissue of one of his own movies — the Blu-ray of “The Ten Commandments,” which is absolutely stunning.

In fact, the upgraded color, sound and picture, restored in the original VistaVision widescreen format, are as expressive and dynamic as the first prints shown in theaters in 1956. (Hey, I was there!)


Moses (Charlton Heston) receives "The Ten Commandments."

One can complain about certain aspects of the film that seem dated in the 21st century. Young’uns raised on digital special effects and modern acting styles may feel the film is cartoony and hammy. And in places, that’s true.

But it’s also exciting, highly entertaining and filled with the kind of mind-boggling spectacle that we just don’t get anymore. See all those thousands of people portraying the Israelites wandering through the wilderness? Real people. Nothing cartoony (or digital) about them.

The parting of the Red Sea, God’s fiery carving of the commandments on a granite mountainside and the miracles performed by Moses to persuade Pharaoh to let his people go were amazing, groundbreaking special effects at the time.

And if the limitations of filmmaking during this period are taken into consideration, these sequences still deliver the goods. Let’s also remember that James Cameron would never have been able to create  “Avatar” without pioneering efforts such as these paving the way.


And I’ll confess that I still enjoy Heston’s stoic take on the character of Moses, and all the supporting roles filled by familiar faces of the period. Yes, even Edward G. Robinson and Vincent Price.

“The Ten Commandments” is old-fashioned Hollywood grandiosity in the manner only Cecil B. DeMille could deliver. This was his final film, and the most expensive movie ever made up to that time. DeMille’s attention to detail was unparalleled, and so costly that today it would be unthinkable.

But it certainly paid off. Audiences went to the movie in droves during its initial release. It was the No. 1 box-office hit of 1956, earning twice as much as the film that came in second. And it continued to make money in subsequent theatrical re-releases.

On the adjusted-for-inflation list of all-time movie moneymakers, “The Ten Commandments” ranks No. 5, after “Gone With the Wind,” “Star Wars,” “The Sound of Music” and “E.T. The Extra-Terrestrial.” And BEFORE “Titanic”!