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DATE WITH AN ANGEL

      

For Hicksflicks.com, Friday, Aug. 14, 2020

EDITOR’S NOTE: Once again Kino Lorber has a mixed bag of vintage Blu-ray upgrades in release this week that genuinely represent both ends of the quality spectrum. ‘Tender Mercies’ (reviewed elsewhere on this page) is a genuine gem, while this one, ‘Date with an Angel’ is dumbfoundingly atrocious. But someone must like it, so here’s my review, published Nov. 24, 1987, in the Deseret News.

“Date With an Angel” is yet another movie with a “heavenly connection,” hot on the heels of “Made In Heaven” and “Hello Again.”

Emmanuelle Beart (soon to be seen in the title role of “Manon of the Spring,” the sequel to “Jean de Florette”) is the angel in question, sent to earth on a mission that is revealed late in the film (but which can be easily figure out whether or not you are paying attention).

The camera gives us an angel-eye view as she leaves heaven, heads for earth and accidentally bumps into a satellite injuring her wing. She crash-lands into a swimming pool and is rescued by our hero, played by Michael E. Knight.

He takes her into his apartment and helps nurse her wing back to health, much to the consternation of his fiancé (Phoebe Cates) and her father (David Dukes).

      

Michael E. Knight, Emmanuelle Beart, 'Date with an Angel' (1984)

When word gets out that Knight has an honest-to-gosh angel in his midst, his three money-hungry buddies try to exploit her, Dukes tries to get her to endorse his cosmetics line, and Cates has periodic fits and begins drinking heavily.

But Beart is a complete innocent, though she often seems like a bit of a nymphet. And she doesn’t speak; she squeaks, sounding for all the world like a dolphin.

Plotwise, “Date With an Angel” makes no sense whatsoever, and the climax is truly ridiculous, as if the filmmakers suddenly realized that a happy ending could not be achieved, given the direction the story was going — so they shifted gears at the last minute to achieve the desired results.

Most of this is pure slapstick, however — and not very good slapstick at that. Dukes is bitten on the rear by a ferocious dog and thereafter has trouble sitting down. Beart can’t walk in high heels but tries anyway, falling down a lot. Cates drunkenly puts on her underwear over her jeans and goes after the angel with a rifle. Knight’s trio of friends lures Beart with her favorite food, French fries, which she stuffs piggishly into her mouth.

And those are the highlights.

      

Phoebe Cates, left, Michael E. Knight, Emmanuelle Beart, 'Date with an Angel' (1984)

There are some good special effects and the cast does try but most of the players are often less than charming, when they aren’t downright obnoxious. Knight is somewhat appealing in the lead and Beart is stunningly beautiful, exhibiting the perfect amount of innocence as the angel, though the noises she makes are really annoying.

And wouldn’t you know it; they just couldn’t resist. The angel has a nude scene.

Worse, however, are the scenes of bondage as the angel is kidnapped by Knight’s friends, and the opening sequence with his pals staging a phony terrorist attack. There’s a cruel streak at work here that undermines the film’s attempts at humor.

“Date With an Angel” is rated PG for some profanity, violence, nudity and implied sex.